Manuscript in the Metropolitan collection
So, in deference to the joy, art, freedom supressing, dreary, dull, intolerant and homicidal fanatics of Islam, (a minority, by all accounts, but supported by the majority of muslims who will not stop them or hinder them in any way) the exhibition about Islamic art in the metropolitan museum in New york has removed all items which show the prophet Mohammed.
That is cowardly, and irresponsible and also falsifying history.
‘Cause I have news for you: Islamic artists have depicted Mohammed in art since the very beginning, and where ever muslims had books or art made.
Yes, this may come as a surprise, but there have been times when islamic countries actually had books printed, artists painting, musicians composing, and poets writing. And as Islamic countries were mostly muslim a lot of all this artistic effort went towards Islamic subjects, including depicting the prophet Mohammed.
Now of course Mohammed has been depicted for hundreds of years in Europe, but, as the artworks show, for even longer in Islamic countries, and by Muslims.
Now the reasons the muslims want to erase this fact from history (as they erase everything else they don’t like from history, including for example ancient Buddah statues) is that they want to claim that everybody, especially western cartoonists, must and should be murdered for doing so because the prophet must never, and has never been, depicted in paint.
Yeah right.
Enjoy a small selection of Islamic art depicting the prophet Mohammed:
Mohammed leaving for the battle of Badr
Mohammed in heaven with pretty women
Mohammed giving a sermon
Mohammed and Jibril
Young Mohammed recognised by the monk Bahira
Solving the dispute at the kaaba
witnessing a beheading
Surrender of the Banu Nadir
The prophet and his companions
Nineteenth centure Algerian postcard
Nineteenth century book illustration
Contemporary mural
Portrait of Imam Ali, modern
Now of course the modern maniacs and art-haters have their ancestors in the past too, which results in weird depictions of Mohammed with his face veiled. Some were painted this way, but many of those paintings had the face scratched out much later, and either left empty, or a veil painted across.
I don’t know, but that feels rather insulting to me…
What I find interesting is that many of the paintings of Mohammed, and family, companions, show them with an aureole, or their heads in flames. Just like Christian saints or the Holy Spirit.
I always find these kind of cross-cultural-, and in this case cross-religious details very interesting.
17th century Iran
Mohammed splitting the moon
Mohammed and family members
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